He found a comely but ignorant

It appeared on explanation that the notice on the outside door of the ‘studio’ was a common ruse of Mr. Marmaduke White whenever he desired perfect solitude, and when the visits of even friends and acquaintances, not to speak of ambassadors from certain adamantine creditors, would be considered irksome.

Although White dwelt in a studio, he was not an artist—not, that is to say, an artist by profession, though he could paint a little, and had a very pretty feeling for colour. By profession he was a man of letters; by special taste and habit, a writer for the theatre. Some of his less ambitious plays had been acted with no little éclat, and everybody had thriven through them except the author. Others had failed, and these failures constituted his glory. They were really productions of considerable literary merit. In literary circles White was spoken of as a man of genius whose mission it was to revive ‘the poetical drama,’ but who had fallen on dark days, when the Muses, having discarded classic drapery altogether, had taken to fleshings and the can-can.

He was a gentle creature, with as soft a heart as ever throbbed in human bosom, and as little power of managing his worldly affairs as of creating a profitable taste for dramas in ‘five acts and in blank verse.’ He lived in a studio, with one artist or another for a companion, not because the place was necessary for his vocation, but because he was naturally a Bohemian, and a studio was a thoroughly Bohemian sort of abode. He was forty years of age, unmarried, and unlikely to marry. The number of his follies could only have been measured by the number of his good deeds, and those were legion. To see him was to like him; to know him was to love him well.

For years past he had paid a small stipend—not much, but a sharp pinch sometimes to him—for the maintenance of Madeline. The way in which he had contracted this responsibility was characteristic, and may at once be explained. A friend of his who was a ‘genius’—that is to say, an individual who promised prodigies, and on the strength of his promises, which were never fulfilled, discarded all conventional morality and lived the life of a shabby Don Juan—had become entangled with a country girl. Dying penitent, as well as penniless, he confided to White, who watched by his sick bed like a woman, that he had betrayed the girl, and that she had given birth to a child, then about one year old. White promised that he would seek both mother and child, and help them if possible. So after putting his poor friend into the ground, and moving heaven and earth to get a few tender things about him inserted in the newspapers, White betook himself to the lonely seaside village where the widow dwelt. girl in a state of comparative destitution, and, to make matters worse, in the last stage of consumption, brought on by exposure and neglect, In the course of the interviews which ensued, he learned such things of his dead friend’s treacherous and selfish conduct as would have shaken his faith in genius altogether had he been less simple-hearted. A little later the girl died in his arms, giving him her last blessing and consigning her little daughter to his care.